diff --git a/demo/kitchen-sink/docs/abc.abc b/demo/kitchen-sink/docs/abc.abc index d8ac326e..32548d3c 100644 --- a/demo/kitchen-sink/docs/abc.abc +++ b/demo/kitchen-sink/docs/abc.abc @@ -11,161 +11,11 @@ C:Trad. % traditional R:DH % double hornpipe M:3/4 % meter K:G % key -B>cd BAG|FA Ac BA|B>cd BAG|DG GB AG:| +%%score (1,2) +[P:1]B>cd "^G"BAG|FA Ac BA|B>cd BAG|DG GB AG:| Bdd gfg|aA Ac BA|Bdd gfa|gG GB AG:| BG G/2G/2G BG|FA Ac BA|BG G/2G/2G BG|DG GB AG:| W:Hey, the dusty miller, and his dusty coat; W:He will win a shilling, or he spend a groat. W:Dusty was the coat, dusty was the colour; W:Dusty was the kiss, that I got frae the miller. - -X:2 -T:Old Sir Simon the King -C:Trad. -S:Offord MSS % from Offord manuscript -N:see also Playford % reference note -M:9/8 -R:SJ % slip jig -N:originally in C % transcription note -K:G -D|GFG GAG G2D|GFG GAG F2D|EFE EFE EFG|A2G F2E D2:| -D|GAG GAB d2D|GAG GAB c2D|[1 EFE EFE EFG|[A2G] F2E D2:|\ % no line-break in score -M:12/8 % change of meter -[2 E2E EFE E2E EFG|\ % no line-break in score -M:9/8 % change of meter -A2G F2E D2|] - -X:3 -T:William and Nancy -T:New Mown Hay -T:Legacy, The -C:Trad. -O:England; Gloucs; Bledington % place of origin -B:Sussex Tune Book % can be found in these books -B:Mally's Cotswold Morris vol.1 2 -D:Morris On % can be heard on this record -P:(AB)2(AC)2A % play the parts in this order -M:6/8 -K:G -[P:A] D|"G"G2G GBd|"C"e2e "G"dBG|"D7"A2d "G"BAG|"C"E2"D7"F "G"G2:| -[P:B] d|"G"e2d B2d|"C"gfe "G"d2d| "G"e2d B2d|"C"gfe "D7"d2c| - "G"B2B Bcd|"C"e2e "G"dBG|"D7"A2d "G"BAG|"C"E2"D7"F "G"G2:| -% changes of meter, using inline fields -[T:Slows][M:4/4][L:1/4][P:C]"G"d2|"C"e2 "G"d2|B2 d2|"Em"gf "A7"e2|"D7"d2 "G"d2|\ - "C"e2 "G"d2|[M:3/8][L:1/8] "G"B2 d |[M:6/8] "C"gfe "D7"d2c| - "G"B2B Bcd|"C"e2e "G"dBG|"D7"A2d "G"BAG|"C"E2"D7"F "G"G2:| - -X:4 -T:South Downs Jig -R:jig -S:Robert Harbron -M:6/8 -L:1/8 -K:G -|: d | dcA G3 | EFG AFE | DEF GAB | cde d2d | -dcA G3 | EFG AFE | DEF GAB | cAF G2 :| -B | Bcd e2c | d2B c2A | Bcd e2c | [M:9/8]d2B c2B A3 | -[M:6/8]DGF E3 | cBA FED | DEF GAB |1 cAF G2 :|2 cAF G3 |] - -X:5 -T:Atholl Brose -% in this example, which reproduces Highland Bagpipe gracing, -% the large number of grace notes mean that it is more convenient to be specific about -% score line-breaks (using the $ symbol), rather than using code line breaks to indicate them -I:linebreak $ -K:D -{gcd}c<{e}A {gAGAG}A2 {gef}e>A {gAGAG}Ad| -{gcd}c<{e}A {gAGAG}A>e {ag}a>f {gef}e>d| -{gcd}c<{e}A {gAGAG}A2 {gef}e>A {gAGAG}Ad| -{g}c/d/e {g}G>{d}B {gf}gG {dc}d>B:|$ -{g}ce {ag}a>e {gf}g>e| -{g}ce {ag}a2 {GdG}a>d| -{g}ce {ag}a>e {gf}g>f| -{gef}e>d {gf}g>d {gBd}B<{e}G {dc}d>B| -{g}ce {ag}a>e {gf}g>e| -{g}ce {ag}a2 {GdG}ad| -{g}c<{GdG}e {gf}ga {f}g>e {g}f>d| -{g}e/f/g {Gdc}d>c {gBd}B<{e}G {dc}d2|] - -X:6 -T:Untitled Reel -C:Trad. -K:D -eg|a2ab ageg|agbg agef|g2g2 fgag|f2d2 d2:|\ -ed|cecA B2ed|cAcA E2ed|cecA B2ed|c2A2 A2:| -K:G -AB|cdec BcdB|ABAF GFE2|cdec BcdB|c2A2 A2:| - -X:7 -T:Kitchen Girl -C:Trad. -K:D -[c4a4] [B4g4]|efed c2cd|e2f2 gaba|g2e2 e2fg| -a4 g4|efed cdef|g2d2 efed|c2A2 A4:| -K:G -ABcA BAGB|ABAG EDEG|A2AB c2d2|e3f edcB|ABcA BAGB| -ABAG EGAB|cBAc BAG2|A4 A4:| - -%abc-2.1 -%%pagewidth 21cm -%%pageheight 29.7cm -%%topspace 0.5cm -%%topmargin 1cm -%%botmargin 0cm -%%leftmargin 1cm -%%rightmargin 1cm -%%titlespace 0cm -%%titlefont Times-Bold 32 -%%subtitlefont Times-Bold 24 -%%composerfont Times 16 -%%vocalfont Times-Roman 14 -%%staffsep 60pt -%%sysstaffsep 20pt -%%musicspace 1cm -%%vocalspace 5pt -%%measurenb 0 -%%barsperstaff 5 -%%scale 0.7 -X: 1 -T: Canzonetta a tre voci -C: Claudio Monteverdi (1567-1643) -M: C -L: 1/4 -Q: "Andante mosso" 1/4 = 110 -%%score [1 2 3] -V: 1 clef=treble name="Soprano"sname="A" -V: 2 clef=treble name="Alto" sname="T" -V: 3 clef=bass middle=d name="Tenor" sname="B" -%%MIDI program 1 75 % recorder -%%MIDI program 2 75 -%%MIDI program 3 75 -K: Eb -% 1 - 4 -[V: 1] |:z4 |z4 |f2ec |_ddcc | -w: Son que-sti~i cre-spi cri-ni~e -w: Que-sti son gli~oc-chi che mi- -[V: 2] |:c2BG|AAGc|(F/G/A/B/)c=A|B2AA | -w: Son que-sti~i cre-spi cri-ni~e que - - - - sto~il vi-so e -w: Que-sti son~gli oc-chi che mi-ran - - - - do fi-so mi- -[V: 3] |:z4 |f2ec|_ddcf |(B/c/_d/e/)ff| -w: Son que-sti~i cre-spi cri-ni~e que - - - - sto~il -w: Que-sti son~gli oc-chi che mi-ran - - - - do -% 5 - 9 -[V: 1] cAB2 |cAAA |c3B|G2!fermata!Gz ::e4| -w: que-sto~il vi-so ond' io ri-man-go~uc-ci-so. Deh, -w: ran-do fi-so, tut-to re-stai con-qui-so. -[V: 2] AAG2 |AFFF |A3F|=E2!fermata!Ez::c4| -w: que-sto~il vi-so ond' io ri-man-go~uc-ci-so. Deh, -w: ran-do fi-so tut-to re-stai con-qui-so. -[V: 3] (ag/f/e2)|A_ddd|A3B|c2!fermata!cz ::A4| -w: vi - - - so ond' io ti-man-go~uc-ci-so. Deh, -w: fi - - - so tut-to re-stai con-qui-so. -% 10 - 15 -[V: 1] f_dec |B2c2|zAGF |\ -w: dim-me-lo ben mi-o, che que-sto\ -=EFG2 |1F2z2:|2F8|] % more notes -w: sol de-si-o_. % more lyrics -[V: 2] ABGA |G2AA|GF=EF |(GF3/2=E//D//E)|1F2z2:|2F8|] -w: dim-me-lo ben mi-o, che que-sto sol de-si - - - - o_. -[V: 3] _dBc>d|e2AF|=EFc_d|c4 |1F2z2:|2F8|] -w: dim-me-lo ben mi-o, che que-sto sol de-si-o_. \ No newline at end of file